CLAUDIA SEYMOUR

"Primary Colors"
"Primary Colors"

14" x 11" Oil on Linen Panel

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SOLD "Shell Games"
SOLD "Shell Games"

10" x 20" Oil on Linen

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"Arc"
"Arc"

12" x 16" Oil on Linen Panel

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SOLD "Lotus Redux"
SOLD "Lotus Redux"

14" x 18" Soft Pastel on Art Board

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"Flower Fleur Fiore"
"Flower Fleur Fiore"

18" x 16" Oil on Linen

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"Of Light And Shadow"
"Of Light And Shadow"

Oil on Linen Panel 14" x 11"

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"An Arrangement Of Pairs"
"An Arrangement Of Pairs"

Oil on Linen Panel 20" x 16"

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"Winter Sweets"
"Winter Sweets"

Soft pastel on wallis paper, 11" x 14"

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"The Pitcher Picture"
"The Pitcher Picture"

Oil on linen, 20" x 20"

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"Bits and Pieces in Black and White"
"Bits and Pieces in Black and White"

Oil on linen panel, 12" x 16"

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"Lady Apples on a Kilim"
"Lady Apples on a Kilim"

Oil on linen panel, 20" x 16"

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"Gardenia Peonies"
"Gardenia Peonies"

Oil on linen, 24" x 20"

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SOLD "Tickled Pink"
SOLD "Tickled Pink"

Oil on linen panel, 16" x 12"

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"Poppies and Porcelain"
"Poppies and Porcelain"

Oil on linen panel, 14" x 18"

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"Squashed"
"Squashed"

Oil on linen, 8" x 10"

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"Silk Road Statuette"
"Silk Road Statuette"

Oil on linen panel, 9" x 12"

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"Burgundy and Books"
"Burgundy and Books"

Oil on linen panel, 9" x 12"

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"Tapestry"
"Tapestry"

Oil on linen panel, 30" x 24"

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"Gather the Flowers"
"Gather the Flowers"

Oil on linen panel, 14" x 18"

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"Spring Jewels II"
"Spring Jewels II"

Oil, 14" x 18"

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"Keepsakes"
"Keepsakes"

Oil on linen, 11" x 14"

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SOLD "Bittersweet"
SOLD "Bittersweet"

Oil on linen, 22" x 18"

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"Spring in the Studio"
"Spring in the Studio"

Oil on linen, 14" x 11"

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"Mandarins, Majolica and Mums"
"Mandarins, Majolica and Mums"

Oil on linen panel, 12" x 9"

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ARTIST BIOGRAPHY

Claudia Seymour was President of the historic Salmagundi Club in New York from 2007 through 2013, six years of great growth and renewal for the organization. She is a widely collected practicing artist. She is a Master Signature Member of the Pastel Society of America and has been awarded Master Circle status by the International Association of Pastel Societies. She is also an Associate Member of the Oil Painters of America. Her classic still lifes in oil and pastel have been shown in over 150 juried national and international exhibitions, and she has won numerous prizes, including first-place and best-in-show awards. She works only from life, creating scenes that portray a timeless elegance and serenity through her concentration on radiant light and her choice and arrangement of antiques and ceramics, natural objects, fabrics, flowers and plants, and other materials. Claudia is a juried member of the Allied Artists of America, American Artists Professional League, American Women Artists, Audubon Artists, and Catharine Lorillard Wolfe Art Club, and she is active in and on the boards of numerous art organizations.

Seymour earned her BA in English Literature from Duke University and her MA from NYU. She studied at the Silvermine School of Art in New Canaan, CT and The Art Students League of NY. Her work has appeared in publications such as The Pastel JournalAmerican Art Collector, and Best of Pastel Artists and Artisans, Vol. 1. Her work has also been showcased on the covers of American Artist's Still Life Painting Highlights and American Artist.

Claudia Seymour says of her work "My paintings are a personal expression of a lifelong fascination with the visual effects of color as revealed by the play of light across a still life tableau. My goal as a realist painter is to portray the limitless beauty of color in every object, as well as in the interaction between objects, their shadows, and the surrounding space. Working only from life, I attempt to establish a tranquil mood and impression of serenity both by the lighting itself and by the choice and arrangement of chosen elements. I use a wide variety of antiques, ceramics, glass, fabrics, fruit, flowers, and other natural objects, many of which have a special meaning for me. Each still life is composed either to highlight a special object or to evoke a particular response. I use deep, often neutral backgrounds to develop a depth of scene and to foster a feeling of air within each work. Then, using light and color, I strive to create not only a pleasing arrangement of pretty things but also to produce a heightened sense of drama through which the composition literally begins to glow. "